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credits

Scene 5 loop — footage credits

Current cut: v8-press

Cut on 2026-10-03 from v7-makers (2026-09-29). The six hands that open v7 open this cut too, each shortened to about two seconds; a burin cutting steel hands the mark to the machines; twelve shots of typesetting machines and presses follow, v7's press feed among them, the shortest a little over a second; the animator's hands close it as before. Twenty shots in a 38-second loop. Timecodes refer to the original files linked in selection.json. All clips are silent and at natural speed. Every shot is conformed to one look — monochrome, 24 fps, filling 16:9 around a focus point with no bars, one detail ceiling, measured per-shot levels, one grain and vignette over the whole cut — as described in selection.json's framing and grading.

OrderFilmSource in–outGestureRights
1The Face of Lincoln, 1954 (USC Department of Cinema; sculptor Merrell Gage)06:54–06:56.6A hand at the brow of the clay facePublic domain per the archive.org item page
2Arts And Crafts, Kyoto, 1946 (US Army Air Forces)01:01.8–01:03.8Brush leaves on silkPublic Domain Mark 1.0
3A Man Writing Mathematical Equation On A Blackboard, 201900:01.8–00:03.8Chalking an equationPexels License (not CC; free use and modification, no attribution required)
4Bits & Pieces BP187 — Glass blowing, silent era (Eye Filmmuseum)01:02.8–01:04.8Winding white-hot glass canePublic domain (Commons: PD-anon-70-EU)
5Eerste Nederlandse beiaardschool, 1979 (Polygoon Hollands Nieuws / Beeld en Geluid)02:35.8–02:37.8Brushing the relief of a freshly cast bellCC BY-SA 3.0 NL
6Block Cutting and Printing, 1950 (Stout Institute)01:54–01:56Transferring a design to the blockNo explicit licence on the item page; relies on the collection's public-domain presumption
7Doubtful Dollars, 1945 (Affiliated Aetna Life Companies with the US Secret Service)08:04.4–08:06.6A burin cuts a line in a steel banknote platePublic domain per the archive.org item page
8Typesetting: Linotype, 1960 (Salesian Vocational Schools / Don Bosco Films)15:12.7–15:14.3Spacebands flutter down between two steel jawsPublic domain per the archive.org item page
9Typesetting: Linotype, part II, 1960 (Salesian Vocational Schools / Don Bosco Films)01:25.4–01:27.6A lever turns like a clock hand inside a steel drumPublic domain per the archive.org item page
10Typesetting: Linotype, part II, 196010:30.4–10:32Worm screws carry matrices up a stepped channelPublic domain per the archive.org item page
11Typesetting: Linotype, 196008:31–08:33.4An animated cam opens and snaps shut over a spoked wheelPublic domain per the archive.org item page
12Printing, 194705:32.8–05:34.4Feeding a sheet at the pressPublic domain per the archive.org item page
13Tidningstryck, 1937 (AB Svensk Filmindustri)00:56.9–00:58.4A curved stereotype plate of a newspaper page turns on the shaving machinePublic domain per the Commons file page (PD-old; no further rationale given)
14Door toename automatisering in krantenbedrijf verdwijnt het oude zettersvak, 1977 (Polygoon-Profilti / Beeld en Geluid)02:40.9–02:42.3The printed web runs over the press cylindersCC BY-SA 3.0 NL
15Tidningstryck, 1937 (AB Svensk Filmindustri)01:38–01:39.8The folder's mechanical fingers take each paperPublic domain per the Commons file page (PD-old; no further rationale given)
16Some of Uncle Sam's Workshops, 1922 (Ford Educational Library; US National Archives 200-FC-3146)07:16–07:17.4A stamp-perforating cylinder turnsPublic domain in the US by age (published 1922); no licence statement on the item page
17The Treasury Story, 1969 (US Department of the Treasury; US National Archives 11865)07:23.4–07:24.6Sheets of banknotes stream past on tapesPublic domain (US government work; CC0 mark on the archive.org item page)
18Trees to Tribunes, 1937 (Chicago Tribune)14:36.8–14:39.6A roll of newsprint rides down a round tunnel until it fills the frameNo explicit licence on the item page; relies on the collection's public-domain presumption
19Typesetting: Linotype, part II, 196002:15.3–02:16.9A linkage drawn in white line; one lever slides outPublic domain per the archive.org item page
20La Fantasmagorie, 1908 (Émile Cohl)01:30.6–01:36The animator's hands set the figure down; it kicks, vanishes and stands upPublic domain per the Commons file page

The arc runs face → mark → thought → fire → voice → design → the line cut in steel → type → press → paper → drawing → life, and dissolves from the animation back to the face. The dissolves are 0.15 seconds, so the run of presses reads as cuts. Because shots 5 and 14 are CC BY-SA 3.0 NL, the loop video file v8-press.mp4 is released under the same licence, CC BY-SA 3.0 NL, with these credits; its poster is a frame of shot 1, which is in the public domain; the rest of this site is unaffected. The source address, in and out points, framing and rights statement of every shot are recorded in selection.json.

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